Emma Has Its Charming Moments But Little Staying Power
With Autumn de Wilde’s new film version of Jane Austen’s Emma being released next week (the seventh time it’s been adapted for film or TV, not counting Amy Heckerling’s Clueless), it seems propitious that Chicago Shakespeare has Paul Gordon’s musical adaptation currently on the boards. I missed Gordon’s world-premiere musical of Sense and Sensibility on Navy Pier in 2015. But with Emma, Gordon and director Barbara Gaines create a world that, while charming, doesn’t really do much to expand the dramatic universe of Highwood, the bucolic country estate where self-involved Emma (Lora Lee Gayer) plots the romantic futures of others—with unforeseen results....