Red Velvet Is A Singular Anti Achievement
Now that Chicago’s been granted, in quick succession, two full-scale, well-acted productions of Lolita Chakrabarti’s biodrama Red Velvet (Raven Theatre’s 2016 version closed a year and three days before Chicago Shakespeare Theater opened its current staging), it’s clear how singular an anti-achievement Chakrabarti’s play is. She manages to take the fascinating, complicated life of Ira Aldridge, perhaps the 19th century’s only African-American international theatrical star, and drain from it most everything that makes it fascinating and complicated....